Religion
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Agents of History and Organization
The vital religious role of women begins before New World slavery. Certain African religions had female priests, cult leaders, and healers. West and Central African religions contained both male and female divines. Sometimes the religious practices associated with these deities were gendered with male deities requiring female practitioners and female deities requiring males. Healing was integrated in religious practice, and women were particularly adept at these practices, utilizing extensive knowledge of the local medicinal plant life—knowledge women retooled and revitalized in the New World. Such practices were not forgotten during the confrontation with Western Christianity. Although black women were initially excluded from church memberships, once colonists introduced Christianity to Africans, black women quickly played a prominent role. Isabella, an African woman who arrived the year before the Mayflower's landing in 1620, may already have been baptized. Some early bondwomen may have become Christian to help their families.In 1903, W. E. B. Du Bois, along with Mary Church Terrell and Kelley Miller, observed that women, particularly African American women, grasped the gospel more thoroughly and widely than did men. Their observations reflected historical realities. Women were prominent leaders in the slave quarters community. They were prayer leaders and exhorters. As exhorters and professors, they often admonished the community to maintain its hope for freedom. In recovering the preaching traditions of African American women in the nineteenth and twentieth centuries, Bettye Collier-Thomas (1998) points out that these preaching women advanced the development of the black church. Collier-Thomas calls them “singular heroes and powerful actors in the struggle for black empowerment, especially the empowerment of black women.”The importance of African sensibilities can be seen in the role of women in translating African traditions of cult leadership, prophecy, healing, and divining into the slave community's emphasis on conversion and encounters with the Holy Spirit. The role of Tituba in precipitating the witch hunts of Salem, Massachusetts, is an important although confusing example. Women prophets often wielded considerable power and influence in slave communities, occasionally, as with a woman named Sinda, bringing plantation routine to a halt. Sinda, after offering an apocalyptic analysis of various events, predicted that the end of the world was coming on a particular day. As a result, her fellow slaves ceased working until the appointed day was past and gone. Because of her prominence as an anti-slavery lecturer, the importance of Sojourner Truth as a well-respected Adventist preacher is often overlooked.
Juliann Jane Tillman, preacher of the African Methodist Episcopal Church, in a portrait by A. Hoffy dated Philadelphia, 1844. The AME Church was founded in the 1790s.
Library of Congress
Library of Congress
Agents of Religious Tradition
In addition to their organizational and historical roles, African American women were the principal agents of a distinctive Afro-Christian tradition. There were four pillars of this tradition—preaching, prayer, music, and testimony. Women traditionally led devotional worship and were responsible for prayer, music, and testimony. Regardless of the obstacles they faced in attaining roles as ordained ministers, pastors, bishops, or elders, women managed to make their voices heard in preaching of the gospel. In most African American traditions, “teaching” and “speaking” were discriminatory euphemisms for women's preaching.The basic language of Afro-Christian worship was rooted in the English Bible. Women played a significant role in appropriating and maintaining the Bible as a foundation, integrating it imaginatively into their prayers, their testimonies, and their songs. Hymnists such as Lucie E. Campbell were known for vibrant biblical images. A focus of feminist criticism because of its male-centeredness, the Bible was nevertheless central to the mythic dimension of the African American Christian worldview. Black women emphasized the role of Jesus as fellow sufferer and model of service. For many women in the churches, their devotional life enabled them to focus on Jesus as a friend in the depths of all kinds of physical and emotional suffering.Women appropriated the Bible's stories and images to create sacred and secular literature. Evelyn Brooks Higginbotham points to the utilization of Bible study among Baptist women as they struggled around the issues of women's religious leadership. Nannie Helen Burroughs, a prominent Baptist leader and educator, wrote a “Roll Call of Biblical Women” that reworked and extended biblical stories about women in order to give them the prominence in church life she felt they deserved. Women's fraternal organizations such as the Order of Eastern Star utilized biblical women characters in their public and private rituals. The growth of women's retreats and conferences during the late twentieth century allowed black women to extend their analysis of biblical women and apply these analyses to their lives. Such applications were facilitated through the participation of prominent preaching women and religious scholars at these conferences and retreats.The most visible religious role of women both in churches and in popular culture has been in the area of music. Historical accounts point to women in slave communities as song leaders. In addition to composing hymns, women gained prominence as musical directors in denominations, exercising power by shaping hymnbooks. Lucie Campbell and Willa Townsend played such roles in the National Baptist Convention and Mattie Moss Clark oversaw such work in the Church of God in Christ. Dr. Clark served as minister of music to the denomination and developed techniques for training choirs in distant locations so that well-rehearsed mass choirs were able to sing at regional and national meetings. In addition, the hymnbook of the Church of God in Christ exhibited both its historical kinship with Baptists and African Methodists and incorporated the COGIC's distinctive oral musical traditions that contributed to shaping twentieth century gospel music.Gospel music was one of the most significant twentieth century expressions of the African American sacred music tradition. Gospel music was built on the role of women as song leaders in slave communities, as devotional leaders in churches, and as soloists and directors in church and college choirs. Early gospel singers such as Arizona Dranes and Jessie Mae Renfro toured among COGIC and other Pentecostal and Holiness congregations. While the formal beginnings of gospel music were attributed to Thomas A. Dorsey and his copyrighted compositions such as “If You See My Saviour/I Was Standing By the Bedside of a Neighbor,” pioneering women singers and composers were central to the tradition. The most famous gospel singer was Mahalia Jackson, one of the singers Dorsey preferred to showcase his compositions. Sallie Martin was a singer and a partner with Dorsey in a publishing enterprise. Another gospel singer, Roberta Martin, was also a prominent publisher. Because of these pioneering women publishers, black men and women who composed gospel music were able to reap the benefits of their creativity.Mother Willie Mae Ford Smith played a pioneering role in carrying the gospel music tradition into mainstream, particularly Baptist, churches. Mother Smith trained generations of soloists through the National Convention of Gospel Choirs and Choruses and traveled widely throughout black churches conducting revivals. Leading evangelists and church mothers in Pentecostal and Holiness churches were also known for their singing. In a manner similar to the growth of the blues tradition, men were often prominent as itinerant singers and members of quartets traveling through the South, while women such as Sallie Martin, Roberta Martin, Clara Ward and the Ward Singers, the Caravans, the Davis Sisters, and evangelist Shirley Caesar were responsible for the urban prominence of gospel music.Willie Mae Ford Smith, Dorothy Norwood, Marian Williams, and Shirley Caesar represented an important practice of women gospel singers. In response to the discrimination against women's preaching, some gospel singers utilized their musical gifts as an alternative venue. In lieu of preaching, these singers would offer extended, biblical introductions to their songs. These introductions were stories that sufficed as sermonettes. Shirley Caesar's career was grounded in a denomination that actually ordained women, so by the end of the twentieth century, she was, in addition to her long career and award-winning recordings, pastor of a church in North Carolina.Beyond the church service and gospel music, churchwomen's voices also served the civil rights movement. Analysis of the civil rights movement has pointed to the movement as a mobilization of the black church. However, the church component of civil rights has too often been equated solely with the role of the male preacher. Not only were church women prominent organizers, leaders, and supporters but women's voices also helped to make the civil rights movement a singing movement. Bernice Johnson Reagon, an activist and college student from Albany, Georgia, transformed spirituals and other sacred music into freedom songs. Her voice along with the voices of the Freedom Singers of the Student Non-violent Coordinating Committee and the voice of Fannie Lou Hamer were quite prominent in the recordings of civil rights meetings as well as in the accounts and memoirs of those who were there.Prayer is another area of prominence for women. It was often women who provided the prayer prior to the sermon. Not only did women gain prominence as prayer warriors and prayer bandleaders within denominations and congregations but some women also maintained independent prayer ministries in their homes and communities. The Spiritual Churches incorporated this tradition of prayer ministry for both individuals and groups, and the pastors in this tradition served both congregations and individual clients. Although the subject of some controversy, these independent women were occasionally the contacts for unchurched African Americans.During slavery, the initial socialization of boys and girls took place through their observations of mothers and aunts at prayer in the cabins and hush harbor congregations. After slavery, women retained their prominence inthe prayer tradition. Narratives and missionaries' accounts describe the vivid prayers of women such as Aunt Jane, whose powerful prayer on behalf of “poor Ethiopian women” provides stunning images of divine invocation in a context of suffering and struggle. The role of women in public prayer leadership was easily observable in most African American churches both in Sunday services and during the various meetings and services that occur during the week. Many black churches had their origins in “prayer meetings” hosted in someone's home, and the historical records of these originating events describe the importance of women.The testimony tradition is easily observable since most congregations held weekly prayer meetings, monthly love feasts, and periodic revivals with extended devotional periods. The testimony periods provided a central fulfillment for the church's role as a therapeutic community. It is here that church members were able to talk about the troubles, struggles, and victories they experienced. Women were highly represented in Baptist and Methodist congregations, while ninety percent of the members of Sanctified Church congregations were women. Aware of their predominance, women often made extensive efforts to provide opportunities for male prominence and leadership, efforts sometimes criticized in the face of the discrimination they experienced in spite of their numbers. Women showed no such restraint when it came to the expressive dimensions of religious life. Their testimony sometimes functioned as a form of protest at their sufferings.Preaching was central to the ritual experience, and it was one of the most contested areas with regard to women's roles. As far as we know, the first African American woman to seek ordination was Jarena Lee in the AME Church. Anticipating the continuing debate over the legitimacy of women's preaching, she reminded her listeners that Mary first preached the resurrection, the event upon which depends all of Christian faith and doctrine. Amanda Berry Smith, also of the AME Church, was the most famous of the preaching women in the nineteenth century. Her ministry carried her to Africa and to India. A staunch advocate of African women's education, her work reflected the combination of religious fervor and social activism that characterized black Christian women of the nineteenth and twentieth centuries.In Daughters of Thunder, Bettye Collier-Thomas argues that preaching women in African American Christianity “have not been as scarce as the historical literature on women, religion, and African Americans has suggested.” Ironically, although not a preacher, the first woman to speak publicly before an audience of both men and women and leave a manuscript record was a black woman, Maria Stewart. In her appeal on behalf of black women's leadership, she highlighted the same biblical women that black women preachers and church women cited as the sources of legitimacy for their leadership roles. Collier-Thomas presented the manuscripts of fourteen women who preached during the nineteenth and twentieth centuries. Preaching women of the nineteenth and twentieth centuries advanced two crucial African American religious emphases, one on social justice and another on the person and work of the Holy Spirit.The roles and activities of male pastors' wives formed a tradition of leadership that was much ignored. The feminist emphasis on examining the activities of women independent of their husbands increased such invisibility. However, tremendous expectations were placed on black pastors' wives. Early in black church history, such women were expected to be educators and to organize Sunday Schools. They also served as mission supervisors and evangelists. Within the Church of God in Christ, pastors' wives, who were also evangelists, were powerful speakers who sometimes had charge of their husbands' churches in their absence or became the pastors after their husbands' deaths.Throughout the black church, pastor's wives were expected to be powerful public speakers, talented singers and musicians, and to serve as choir directors. In some denominations, particularly the AME Church, women whose husbands become bishops were expected to lead the missionary work in their husbands' districts. As educated women, they served as important role models for churchwomen, and at the end of the twentieth century, some black pastors' wives played a particularly important new role as co-pastors.Preaching women and pastors' wives represented a vanguard for the explosion of women's preaching observed during the last quarter of the twentieth century, an explosion that led to an unprecedented national visibility of ordained black women and to the election in the year 2000 of the first woman bishop of the African Methodist Episcopal Church, the Right Reverend Vashti Murphy McKenzie. The first African American woman to be consecrated a bishop was Bishop Ida Robinson in 1924, the founder of the Mt. Sinai Holy Church, an African American Holiness-Pentecostal denomination. By the last quarter of the twentieth century, African American women had served as mainline denominational leaders: Dr. Thelma Adair as moderator of the United Presbyterian Church's General Assembly in 1976 and Rev. Dr. Trinette McCray, president of the American Baptist Church USA in 2000–2001. Predominantly white denominations had also consecrated black women bishops: the Right Reverend Leontine T. C. Kelly in the United Methodist Church was elected in 1984, and the Right Reverend Barbara Harris, the first woman bishop in the Episcopal Church, was elected in 1988.Prior to her election as an AME bishop, Bishop McKenzie was named among the top three in a list of the fifteen greatest black women preachers by Ebony magazine in 1997. All of the fifteen and the additional twenty-one honorably mentioned had records of significant national leadership in both religious and secular settings, including the civil rights movement, academia, communications, media, education, and union organizing. Five of these women served as pastors, co-pastors, assistant pastors, and Episcopal supervisors alongside their pastor or bishop husbands. All of these women moved across denominational boundaries in their preaching and public service, and several were pastors of significant congregations they had organized. Overall, these thirty-six women were representative of the dual history of African American women as agents of organization and of religious tradition.A Diverse Experience
There was great diversity among the religious experiences of late-twentieth-century black women. That diversity arose largely out of a shared historical experience of oppression and out of the creative responses and challenges to that oppression. This was particularly true during the period of the civil rights and black power movements. As an organizational experience, the religious experience is historically, primarily, and predominantly Christian, with a distinctive emphasis on the person and the work of the Holy Spirit and on the person of Jesus as fellow sufferer and member of the disinherited and the dispossessed.During the civil rights period, the Nation of Islam rose to prominence primarily through the voice of Malcolm X and aggressive proselytizing in prisons and northern urban ghettoes. Malcolm X's conversion to mainstream Sunni Islam accelerated the growth of Islam among African Americans, making it one of the most significant challenges to the hegemony of Christianity among African Americans and making Islam one of the fastest growing religions in the United States. Although the largest source of the growth of American Islam was through immigration, African Americans represented the largest indigenous population of American Muslims. Although both men and women are Muslim, African American women are less likely to remain Muslim and more likely to return to Christianity. Their return to Christianity was a source of challenge to Christian churches, one that inspired these churches to become more Afro-centric in their presentation of Christianity.Some of the successes of the civil rights movement had profound effects on the structure of black communities. Those changes also generated new organizations and movements within black churches and new religious movements in black communities. The new opportunities generated by the civil rights movement fostered both economic and geographic mobility for many black Americans. Economic mobility prompted the rise of congregations with larger proportions of middle-class members. Geographic mobility led to the suburbanization of churches and the reconfiguration of black communities as college students and professionals resettled in response to educational and job opportunities. Some of these churches became so large that they were called “mega-churches”—churches where three thousand or more people attend on any given Sunday. Although African Americans at the beginning of the twenty-first century made up some 12 per cent of the population, they were 25 per cent of the mega-church population.New members of the black middle class carried traditional practices of Baptist, Pentecostal, and Holiness churches into the congregations of the old black middle class. Lincoln and Mamiya (1990) referred to this phenomenon as “neo-pentecostalism.” At the same time, these economically mobile members brought some of the highest levels of education to their churches. As a result, they professionalized the laity and placed new demands on the clergy. Many of these churches had pastors, both women and men, with doctorates. Women represented the largest populations in seminaries, and women were more likely to enter seminary as second career professionals, therefore guaranteeing that they were educationally advantaged.Women were especially prominent in these new and newly transformed churches as pastors, preachers, educators, and administrative leaders. These larger churches offered a national visibility to women preachers across denominational boundaries. In some of these churches, the role of the wife of the minister was so dramatically transformed that many of these women effectively served as co-pastors, fully ordained in the denominations of their husbands. Some of these new churches were founded and developed by women who worked outside the Baptist and Methodist mainstream. Overall, the revitalized churches of late-twentieth century black America contained large groups of exceptionally well-educated women at the same time that the concern for the crisis surrounding black men and black families had gripped all of black consciousness. Black women served on the staffs of these churches and were most likely to execute the church mission in the various social service and resource centers that were a part of these churches.In spite of the dominance of Christianity and the rise of Islam, African American women exhibited a wide range of spiritual and organizational expressions and interacted across diverse religious settings, including Baha'i, Islam, Buddhism, and traditional African and African-Caribbean religions, especially the Yoruba and Fon religions, in the form of Lucumi, Vodun, and Santeria.Bibliography
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